So, if you wanna learn our secret method for writing (and finishing) great songs, which we don’t teach in these free lessons, then sign up now for our one-of-a-kind online apprenticeship course. So, now that you’ve got one section coming together, how do you write the other sections? Then, how do you transition between them (especially when they’re in different keys)? And then, how do you structure and arrange your song? These are issues many songwriters and producers struggle with, and that’s exactly why we made our online apprenticeship course, which guides you through every step of the music making process, from blank screen to finished song. So, on your slow and steady descent, simply change up a few pitches and their note values. And the best place to make your variation is when you’re taking it home the second time. So, when you take your listeners through bars 5 to 8, you need a variation in order to create that magic balance of familiarity and freshness. Right, now that you’ve written your epic melody over four bars, it’s time for the sequel. This involves a slow and steady descent back home, but with a couple 1/8 notes, to avoid a possible anticlimax after that peak. And that PDF also contains hacks on how to write great chord progressions, bass lines, counterpoint harmony, and all the other essential songwriting and producing hacks, as well as MIDI file examples.Īlright, now that your listeners have summited that mountain and become heroes, it’s time to take them home, safely. If you want the ultimate list of dos and don’ts for writing great melodies, then use the Melody Checklist in our Songwriting & Producing PDF (click and scroll down). Leprous use the very beautiful minor 6th interval here, but you can use a 6th or 7th. And musically, there’s no better way to do this than a huge interval, as that instantly injects a ton of drama, while catapulting your listeners to the top of that musical mountain. So, now that you’ve set the scene for your story, it’s time to introduce the mountain. Sometimes the obstacle is internal, sometimes external, but it always involves climbing a metaphorical mountain, or sometimes an actual mountain, quite literally. And whatever you do for your “Once upon a time.” phrase, just be sure to use small intervals, as this phrase is intended to set things up without grabbing any attention.Īll great stories have a massive obstacle, which the main character needs to overcome in order to transform into the hero. We started our melody with a motif centered around one semitone intervals. So, start your melody with a short “Once upon a time.” phrase. And when it comes to telling a story, you don’t just jump right into the best part, you first have to set the scene. Leprous use D natural minor for their chorus, and the natural minor scale is a common choice for epic music, so we’ll use it too.Įpic music sounds epic, because it tells an epic musical story. Right, so start by setting up eight bars of 4/4, with your grid set to 1/8 notes, and your tempo set to 116 BPM. But, the example in this lesson is actually our music, which we wrote using their theory. And this theory hack is inspired by the chorus of recent single “Alleviate” by the awesome Norwegian band Leprous. In last week’s lesson you learned how to write an epic chord progression, so now you’re gonna learn how to write an epic melody for it. If you fill this in, you will be marked as a spammer.
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